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Unwanted Advice: Reflections from a Self-Appointed Life Counselor

~ Caminante, no hay camino. Se hace camino al andar. Wayfarer, there is no way. You make a way as you go. (Antonio Machado)

Unwanted Advice: Reflections from a Self-Appointed Life Counselor

Tag Archives: Loss

“Experimenters in the passages between worlds.” Vinciane Despret, Au Bonheur des Morts

14 Tuesday Jul 2026

Posted by summermlee in Aesthetic philosophy, Art, Birds, Nature, philosophy, Uncategorized

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"Où s'en vont les gens qui meurent?", Annunciation, art, Étienne Souriau, birds, birdwatching, death, Gadamer, Indonesia, Loss, Love, Mourning, nature, philosophy, poetry, Ruby-Throated Bulbul, Summer Lee, Summer Mei Ling Lee, temples, Vinciane Despret, wildlife, writing

1060.

He refuses to call the birds even if it means his customers will see less birds and from farther away, or that his customers could choose another guide who does. 

He knows that these encounters are where truth can reveal itself, not when we try to shape the world around us. 

What all the birds are telling me these days is that it’s never been about the birds, or the lover, or the one who is no longer here. I start with some words, and then I wait. Fiat mihi secundum verbum tuum.

We waited for hours in the sticky heat, scoping out across a ravine where it’s impossible for the villagers to plant rice fields. It’s always when you are about to leave when they enter and that’s why birders never leave — even if my son is pulling my arm or I have missed a zoom call. I have started to live for these Annunciations, the moment like this, when he careens without fanfare into a morass of jungle vines, the flash of gold and blood red grabbing my eye. 

There is a lowly triumph when you are the first to spot a rarity, especially before the native expert does. But this was also about waiting and listening, Tai would say to weaken our ego. And sometimes something happens and sometimes it does not. Birds, like my favorite art, exceed explanation and translation. 

As much as the people of this area leave gratitude for every spirit here—the spirits of the trees and the water and, especially, the winds—they also still catch wild birds and cage them.

I waited for three days for our escaped pet cockatiel to come down from the trees in our neighborhood back to me. Every morning I would wake before sunrise so that I could hear her first calls somewhere outside and re-locate her from the night before. I cancelled every appointment and obligation and tracked her. A few times a car or the oblivious dog-walker would startle her and she would make a wild flight, so I would run after her, under her next impossibly high perch. I blasted cockatiel calls from my phone and called her name incessantly, altogether confirming my title as the crazy bird lady on the block. There were many desperate moments when our eyes locked, and I registered her simultaneous anxiety to return to me with the existential fear of what that entailed. 

On the third night, when daylight was fading I lost sight of her in a patch of thick pines, on the exact hillside property over which our group won a lawsuit to prevent it from being paved over. I made a call out and she answered me from the darkness. And then went forever silent. 

My guide used to take the money from his tours and buy back the freedom of those caged birds. Maybe he still does, but I didn’t ask, because I know the discipline of that practice is to never commit it into words. From one angle, it can feel relentlessly useless. From another, it is where God is located.

His people apparently think the gods are also located in all of these miniature temples, plopped every hundred yards, it seems. My favorite one was where White-breasted Waterhen was gobbling up their offerings right alongside the scooter-filled jungle road.

We lost sight of the bird somewhere in the ravine, so we finally could take a nature break, which we jokingly dubbed “apologizing to the trees.” Then we finally left with my tiny indexical residue of a photo strained from what seems like a mile away in my giant lens.

There is an ache that I will never see that bird again, and my photo will never improve. But I also have the wound of possibility of re-animating it all in reverie. Like everyone and everything dear I have ever lost. 

He writes that there is something more primordial than the one who gives and the one who receives — the experience giving itself. 

Vinciane Despret puts it another way: love exists because there are those who love: “Perhaps one has to imagine love a bit in order to love, and in imagining it and by loving, love exists.”

To end her lecture on where do the dead go, curiously fashioned for children, (and we are all children in the face of death), she leaves us with this invocation: “When a pagan meets someone, they never know if they are having business with a god.”

Two weeks after our cockatiel disappeared, I was across the country when a neighbor spotted her less than a half mile away. Lupe went right away and was able to capture her. Everyone who had been in these words with me cried in joy and for a moment my intense mourning lifted. Then I saw her up close, and even if my youngest son still refuses to accept it — our new bird is not our lost one. A lot can change a cockatiel who is in the wild for three weeks, but they can’t get younger. Still I took the wrangled bird in and made a perch so she can sit up high and eat, sleep, and watch birds fly by outside. Another little altar for the temple of words.  

 

“Those with wings, those without, / the ghosts of the heart / — whose hunger is a dress for my song.” — Brigit Pegan Kelly

02 Thursday Jan 2025

Posted by summermlee in Aesthetic philosophy, Art, Birds, Nature, philosophy, poetry, Uncategorized

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art, birding, birds, birdwatching, death, Loss, Memory, nature, Paul Celan, philosophy, Photography, poetry, Shakespeare, Summer Lee, Summer Mei Ling Lee, Vinciane Despret, wildlife

681.

To measure a life from the periphery.

The periphery is where birds live now, eking out existence in our built environment. Vinciane Despret also explains the periphery as where two conflicting demands can be held together in a vitalization resulting from those clashes and stimulation. It is where birds sing their territory. It is where nature and human modernity meet. It is the veil through which we mortals greet our disappearance. In its intensification of the things that aren’t yet perceived, the periphery is the place of artistic creation.

Annunciation VIII, by Summer Mei Ling Lee, 2024. Paint and gold leaf on wood.

Once I was at the periphery where on one side I would be ok, the other I would not. The place one arrives to after the loss of beloved things, which mostly reveals the limitations of my scaffolding and confabulations. I ended up in her office. She was a midwesterner, a plain and small, older woman who had come out of the managed healthcare system. I plainly admitted that my terror was that I couldn’t be helped.

The best healers do not make interpretations behind the backs of their patients. They resist the “simulacrum of intelligence on the back of the stupidity of others.” There on that clinical couch of her spartan and chilly office, just when I trembled in the anxiety of being a lost cause, she rolled her chair towards me and she reached her hand to firmly hold mine. She said sternly and confidently that she could help me. By grabbing me, she broke through that boundary of professional etiquette. But even more I registered that she didn’t know she was going to do that. She had the strength to answer to the moment. And that spontaneous responsiveness was real strength that no one can train for or read about or theorize.

After 10 years of seeing her, and after the last three years of nudges to fledge me, her cancer returned. She retired and flung me out into the wilderness. There is nothing more I could say or ask for — there is nothing left to explain. I drew a bird and sent it to her.

I might have been satisfied by the 35 or so anytime in my yard, but this past year I saw 277 different species of birds, right here in my own county, where I was born and raised. I saw 481 different species everywhere I wandered off to. In perspective, this year there were 4 other birders in my county who saw more birds than I did, and hundreds who saw more than I did throughout the world. Still, I abandoned myself to an attention that brought me into an intimacy with my native land outside my immediate yard.

This native land consists of precise sachets of memories as much as ecological specialization. One particular species of gull prefers one beach over the others, because the fresh water they need to survive pours into the ocean where the sands are flatter and can host more crustaceans they are specialized in eating. It is one beach out of dozens where we sifted through hundreds of gulls to try to find one rare gull, the first Siberian visitor to the continental US. It was the same beach where I was many times a near-hypothermic child who couldn’t resist the Pacific water tumbling over my feet, watching the sand bubble up where those crustaceans bury themselves before the next wave.

For 7 years in a row, Tufted Duck, off-course from Europe, wintered on a pond near an athletic club, where for our last day of high school our entire class spent the night, one last time together, signing yearbooks and playing ping pong. And then the next morning we dispersed into the rest of our lives. This year, Tufted Duck did not return.

While I was in the void 30 miles west on the Pacific Ocean, far from any landforms on the horizon, looking for migrating Arctic Terns and Sabine’s Gulls, thousands of dolphins suddenly broke the surface of the water as far as one could see. Just as quickly as they had rendered us ecstatic, they disappeared back into the void.

And along the ridge on which at 16 years old I first kissed a woman, there is a migratory path for Varied Thrushes, and when we were greeting them, a species of Crossbill touched down into a small pine in front of us — Cassia Crossbill, for the first time ever recorded, had immigrated into my county, crossing over the Sierras from its decimated forests of Idaho. The only way to know is by recording their calls and sending it in for confirmation from those who obscurely dedicate themselves to such distinctions.

I won’t bore you much longer, but maybe it is more imaginable now why Pietro and I sharing only broken English could spend two straight days together, seeing 102 species in a delta half-way between Africa and Siberia, and never stop talking about them. A Little Owl in the early dawn light, perched on the eave of an abandoned building, then the warming updrafts conjured a Red Kite over the hills. Until sitting in the dark in a field behind his hometown, as shadows of Eurasian Woodcocks sailed over us from the stand of pines into their nightly roost in the plowed field. And even later than that, owls circled around us, barely perceptible like swirling apparitions of the imagination. Whether they were one species or another, and all the stories in between, was more than enough to fill a conversation on the rural roads back to my farmstead.

A man a continent away who knows what arrives on different directions of winds, who prefers the slopes of certain beaches, and what happens on foreign trees and in pockets of warm air of his region — as I am coming to know mine. We also witness too closely, bird by bird, the horrors of modernity — the loss of habitat to human profit, the flippant carelessness away from Being — threatening to ruin it all.

Pietro on the third day, and the hills of Bologna, 2024.

As things slip away, like Tufted Duck, as they do when one realizes life in years is more over than it is beginning, time on the periphery becomes more precious and any aliveness, wretched or wonderful, can be understood as bittersweet. Abundance. And god help me, there is also the sting of every time I fell short of love.

680. (Malia Defelice’s 400th county bird). Watercolor by Summer Mei Ling Lee, 2024.

“It gleamed.” Tenebrae, by Paul Celan

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