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Unwanted Advice: Reflections from a Self-Appointed Life Counselor

~ Caminante, no hay camino. Se hace camino al andar. Wayfarer, there is no way. You make a way as you go. (Antonio Machado)

Unwanted Advice: Reflections from a Self-Appointed Life Counselor

Tag Archives: Jim Harrison

“ O Opal / your ear / in my heart / both hear / the glorious void, / preferring the birds.” Jim Harrison

04 Saturday May 2024

Posted by summermlee in Aesthetic philosophy, Art, Birds, Nature, poetry, Uncategorized

≈ 2 Comments

Tags

art, Étienne Souriau, bird watching, birding, birds, birdwatching, George Steiner, Jim Harrison, Martin Shaw, migration, painting, Paul Celan, poetry, Summer Lee, Summer Mei Ling Lee

Life-preserving but not life-giving, he says. Maybe the best critique of art I’ve ever heard. “Nothing is harmed but nothing is thriving either.” The people around here trained their eyes away from the gods, ancestral dead, magic — and sometimes even beauty. Everything is a utility or transaction for something else, and that’s not how the most important things come to exist. And, “The true entrance into us will not occur by an act of will.”

Into the Nearness of Distance, 2024. By Summer Mei Ling Lee. 28 x 15 inches. Cyanotype on three layers of Gauze, wood.

Myself, I want to dance with all that is wild and alive, but am just sometimes scared to. I realize now back on this sky-murdering plane home, full of doubts and in mistake-review mode, I was still greeted that day by gleaming Prairie Warbler, in all his breeding plumage glory. He popped up in front of me when there could have been nothing at all in that sickly, urban forest. Odds are more likely that he would have been a thousand miles further along into Canada, but he was right here. Exactly where I have met so many who I have loved and who have loved me. As he explains, those things we need most in this world are more tangible in the messy, uncertain wild.

Prairie Warbler, the other day.

Just two weeks ago, blue-eyed Pietro drove me to a nature preserve that is now tragically a farm, where persists a pole at the side of the field with a platform on top. And up there in a roughly-woven basket structure she stares down at us, telling me something I don’t know how to write, something about fear but also just continuing on despite the hunters. She could live for forty years and knows how to squeeze water from moss into her thirsty chicks’ beaks. For what.

And then he takes me way out where the road barely can be made out anymore, to the last remaining colony of Lesser Kestrels in the eaves of a long-ago collapsed home. He jumps out of his tiny car when he spots them and shrieks like a boy. He delights in telling me when they fly back into view, for a period of time even longer than I still care. He can see them everyday and I will never see them again in my lifetime. And soon no one will. I know why he shrieks, but it’s impossible to write it, even though I feel it in my bones and try every time. I am deeply aware and sorry for that failure.

But after each word, it is impossible not to mention those that understand and keep me company — it’s why she has sent me a bird along her walk. And why he sends that line of poetry. Otherwise it can feel like the people here are dying mostly because they don’t even notice, nonetheless jump out of their car and shriek in delight. I think that’s why Celan threw himself into the Seine river, it becomes overwhelming that the rest of the world swings through the crowd like an ignorantly sharp elbow into a tender bruise.

Little Ringed Plover for Fiorenza, by Summer Mei Ling Lee, 2024

She cried openly this time when I left the farm, weeks before the Bee Eaters arrive. This year, I gave her a Little Ringed Plover instead. I am trying to fashion band-aids out of the birds, those little gods and ancestors and bits of magic in the trees. Band-aids for those whose tendernesses in the crowd, including my own, I absurdly want to preserve.

“If we must be careful of any anthropomorphism when studying animals, it is not bad to sometimes do a little zoomorphism when studying man, whose lucidity and power of reasoning are often exaggerated.” (Étienne Souriau, The artistic sense of animals, 1963. My translation).

“In heaven they’ll tell long stories of the horror of life on earth ending each session by chanting beautiful poems we did not deserve.” – Jim Harrison

29 Friday Sep 2023

Posted by summermlee in Aesthetic philosophy, Art, Birds, Nature, philosophy, poetry, Uncategorized

≈ 3 Comments

Tags

Alice Bach, art, birds, birdwatching, Jim Harrison, Mourning, Performance Art, poetry, Professor Alice Bach, Summer Lee, Summer Mei Ling Lee

His hands were trembling so excitedly that he couldn’t text the group chat about what he had seen.

601.

Some lost birds set off mysteries that make even the most analytical of nerdy birder brains just pause.

The bird he had found belongs to a species that is the most ancient of gulls, whose home is just across the equator, but was now plopped down on our beach a couple miles from my son’s school — even more unusual for a bird that hunts at night and sleeps during the day at sea. This Swallow-Tailed Gull’s home is the Galápagos Islands where now weather patterns have made food scarce. He landed here, 3350 miles away as the crow flies.

At mid-life, there is an accumulation of absences and I imagine it intensifies until the final absence. I wouldn’t dare count them like birds, but they are related, each one becoming more precious, more miraculous, more stinging, and adds evidence to some sort of hidden pattern that will stubbornly remain just out of sight. One took flight almost a year ago, and I didn’t know it until this week.

Just like other birds, when I look back there was a mundane attempt to connect with me and say hello, which now I know was a goodbye. And in my list of birds, for some I have had the presence of mind to answer, and sometimes the presence of mind to not. For her, I didn’t answer the voice in my head that knew something had happened and I texted sheepishly and waited. In our last call, she had some repetitions and some irrational thoughts, and as I watched orioles eat mulberries in the neighbor’s tree, I listened to her lecture on the political nightmares from her Facebook and CNN lens of the world.

25 years before I had been one of a few in a snobby university enrolled in her courses, where we instantly understood we could be ourselves. I took several courses from her including two in Biblical Studies even while deep into feminist activism. I asked her to be my advisor, the year she was told she was removed from tenure track.

A few years ago, I made a sort of pilgrimage to see her in the Midwest town of her final professorship. We talked non-stop, the kind where my throat hurt and my head ached, but there was so much to learn and so much to explore with her. She told me about her life before she decided to get a PhD, which she didn’t do until her late 40’s. Years of Jungian analysis, what Anne Sexton was like in person, her childhood boarding school run by nuns who all seemed to have “lost husbands in the war.” She asked so many questions in the way I felt she cared about the depths of me. I reminded her that she once taught us that the bible in Hebrew contains idioms and euphemisms not available in English translations. For example, feet is a euphemism for male genitalia, and then she let our young minds run through the list of people who wash Jesus’ feet, and whose feet he washes, and on and on. Now, 25 years later she had totally forgotten saying that, but she laughed and said, I guess the point is, who is the authority?

She was a devout Catholic, and felt the church could be changed from within. She and her fellow Catholics did vigils in front of buildings where executions were occurring, lined up near nuclear plants, and fed the poor. She told me you couldn’t donate more than $500 to the Catholic Worker she belonged to, otherwise you had money that was likely made from exploiting others and they wouldn’t want it.

I reminded her that she took me to the University Faculty Club for dinner. That she put down the Diet Coke can that was always in her hand just to order another one the moment we arrived, and there in my Doc Martens and piercings, I listened to her whisper gossips of other department faculty. She told me she never ate there and thought it perfect to invite me so we could delight ourselves as two outsiders irreverently feasting ourselves in the ivory tower.

In the Midwest, I slept in her home of books, books lining every possible wall, from floor to ceiling. The guest bed was directly below rows upon rows of early editions Virginia Woolf novels and essays. Along other shelves were books she had written for young people, she said her favorite was about a talking bear and another about a teenage girl discovering life is not going to work out the way she thought. And it still breaks my heart to remember every little scribble of a bird drawing or postcard I sent her over the 25 years, framed and perched on her shelves. One sparrow sketch sat next to a humbly embroidered fabric that read: An immaculate home is a sign of a mis-spent life.

There is a trick that birders sometimes use to coax a bird out into the open, one that should be used prudently because of the stress it can cause. Afterall, the rare ones are usually lost. A birder uses their phone to play a digital recording of the bird species’ song which can trigger a territorial response, or the species’ call which can trigger a search for a flock. On my phone I have a handful of voicemails of people who are no longer here, their voices as fresh as today, sometimes wishing me a happy birthday, one was reaching out to console me after a loss, one is from Alice asking me to call her back a little later when she returns home.

Performing Mourning, Summer Lee and JiaJing Liu. Photo by Eddie Wong. Hungry Ghost Festival, SF, 2023

There was no need to play a sound for the Swallow-Tailed Gull, as it slept out in the open for a row of 30 birders lined up admiring it. I had to go home after a few hours, my youngest son can only stare at a gull and listen to bird-talk for so long. Later a birder friend wrote me, describing with uncharacteristic melancholy the moment when the sun sunk right above the ocean and the gull gathered itself up into flight, disappearing out over the horizon. When I left Alice in the Midwest, she watched from the sidewalk as my car left her driveway. She yelled out, see you around, kid.

602.

O birds, I’ll sing to myself, you’ve carried
me along on this bloody voyage,
carry me now into that cloud
into the marvel of this final night.

James Harrison (1990) – The Theory and Practice of Rivers and New Poems

O birds, I’ll sing to myself, you’ve carried/me along this bloody voyage,/ carry me now into that cloud/into the marvel of this final night. — Jim Harrison

04 Friday Dec 2020

Posted by summermlee in Aesthetic philosophy, Art, Birds, Nature, philosophy, poetry, Uncategorized

≈ 8 Comments

Tags

art, birds, birdwatching, death, Jim Harrison, nature, poetry, Pontormo, Summer Lee, Summer Mei Ling Lee, tragedy

I own a caged bird made up of thousands of serious marks by several colored pencils on paper, framed. None of it is particularly bird-like except the woman I know who applied each one. I met her in a room in an institution in my grandmother’s country. She was one of a group who spent their days in an art room. When one of them began hitting his head and shrieking, I asked my colleagues to leave and I sat down and started drawing birds, too. The silent making in that space brought us all back home. Eventually their caregiver tapped me on the shoulder and said, we knew you were coming from far away. We have a song for you. They handed out instruments to each other and stood in a circle around their art desks and starting singing, loud enough to carry into the clinically sterile halls outside. I clapped my wings and let their foreign calls delight me, until an older man who could sing but not speak wrote on his dry erase board: Ask our visitor to sing a song for us.

If I sing these words about you, you stay alive with me. If I craft these scenes from our past here you still are in them. Humans, by dint of language, are the only beings capable of a future conditional tense. It enables the birds to sing in the daybreak after the night of our death, and we hear them. And the more sensitive, by the size of the eyes of the bird, the earlier the song begins. And the more comfortable and active they are in the dark, from where you also emerge.

Little ink bird, by Summer Lee, 2020

At some point in their circle of death the birds turned towards me and they told me matter-of-factly you had been taken. Gone. Right from the middle of me. The swaths of memory that made you part of me flew out of an absence and circled themselves over and over as clear as today. Some sort of compensation for the violence that I will never see or talk to you again. I would also learn that someone took something from you when we were young that wasn’t theirs to take. It stole parts of your life increasingly, until you were gone. We were born right across the street from each other. Now I am living and you are not. This song is my deepest apology.

Some of the most beautiful birds in the circle know me through intimate, timely words over incredible distances. At the moment when I thought you were most gone, it was as if you were sitting across from me. In her knowing, the beautiful poet bird just then wrote: somehow when they leave the body, they become closer to our hearts.

And yes, these songs fall out like feathers, like when at the end of one morning, the birder opened her car door to leave and told me the lump was cancer. That same day I held Magnolia Warbler who had been found struggling on the ground, and in my hand he shrieked a distress which was the call that there is unfathomable suffering without the consolation of reason.

One morning of those 43 mornings in a row, before the other birders arrived, there at the edge of the puddle was a bird I knew well and would make me famous to other birders for the week. How funny since he was a common bird to me, Varied Thrush, from a dark path along the reservoir near my west coast home. But here, he was a long way out of range. The place I often find myself. Who knows how these specialists drift thousands of miles from their homes, how this tiny bird managed to cross over the Rocky Mountains. Surely alone. We are birds along a life-long commute of thousands of miles. These words are the apology when one goes off course.

Thank you to our parents who let us little kids out to play together hours on end, often into the darkness. Thank you to my mom who visited him a few weeks before in the hospital, to remind him he was not his diagnosis. Though the tattoos of darkness were adding up on his body, there is always the light of possibility for all our self-inked narratives to be not true.

After the 4 hours a day every morning I spent with these birders, the migration season was over. It reminds me of the moment I left that institution where the caged birds sang and made art for their entire lives. A part of me stayed behind to keep drawing birds. But along a corridor on the way out, a mother was visiting her son. He sat alone from the group flatly staring out a window, and she was petting his head, preening him with all her loving attention.

The birders leave because the birds move on. The last bird spotted was an emerald blur of a tiny hummingbird that was late for the cold air. It hovered over our heads just long enough for even the slowest of us to register and then it zipped away into the invisible. 

“Birds are holes in heaven through which a man may pass.” Jim Harrison

Detail of Deposition by Pontormo, 1528

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