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Unwanted Advice: Reflections from a Self-Appointed Life Counselor

~ Caminante, no hay camino. Se hace camino al andar. Wayfarer, there is no way. You make a way as you go. (Antonio Machado)

Unwanted Advice: Reflections from a Self-Appointed Life Counselor

Tag Archives: Professor Alice Bach

“In heaven they’ll tell long stories of the horror of life on earth ending each session by chanting beautiful poems we did not deserve.” – Jim Harrison

29 Friday Sep 2023

Posted by summermlee in Aesthetic philosophy, Art, Birds, Nature, philosophy, poetry, Uncategorized

≈ 3 Comments

Tags

Alice Bach, art, birds, birdwatching, Jim Harrison, Mourning, Performance Art, poetry, Professor Alice Bach, Summer Lee, Summer Mei Ling Lee

His hands were trembling so excitedly that he couldn’t text the group chat about what he had seen.

601.

Some lost birds set off mysteries that make even the most analytical of nerdy birder brains just pause.

The bird he had found belongs to a species that is the most ancient of gulls, whose home is just across the equator, but was now plopped down on our beach a couple miles from my son’s school — even more unusual for a bird that hunts at night and sleeps during the day at sea. This Swallow-Tailed Gull’s home is the Galápagos Islands where now weather patterns have made food scarce. He landed here, 3350 miles away as the crow flies.

At mid-life, there is an accumulation of absences and I imagine it intensifies until the final absence. I wouldn’t dare count them like birds, but they are related, each one becoming more precious, more miraculous, more stinging, and adds evidence to some sort of hidden pattern that will stubbornly remain just out of sight. One took flight almost a year ago, and I didn’t know it until this week.

Just like other birds, when I look back there was a mundane attempt to connect with me and say hello, which now I know was a goodbye. And in my list of birds, for some I have had the presence of mind to answer, and sometimes the presence of mind to not. For her, I didn’t answer the voice in my head that knew something had happened and I texted sheepishly and waited. In our last call, she had some repetitions and some irrational thoughts, and as I watched orioles eat mulberries in the neighbor’s tree, I listened to her lecture on the political nightmares from her Facebook and CNN lens of the world.

25 years before I had been one of a few in a snobby university enrolled in her courses, where we instantly understood we could be ourselves. I took several courses from her including two in Biblical Studies even while deep into feminist activism. I asked her to be my advisor, the year she was told she was removed from tenure track.

A few years ago, I made a sort of pilgrimage to see her in the Midwest town of her final professorship. We talked non-stop, the kind where my throat hurt and my head ached, but there was so much to learn and so much to explore with her. She told me about her life before she decided to get a PhD, which she didn’t do until her late 40’s. Years of Jungian analysis, what Anne Sexton was like in person, her childhood boarding school run by nuns who all seemed to have “lost husbands in the war.” She asked so many questions in the way I felt she cared about the depths of me. I reminded her that she once taught us that the bible in Hebrew contains idioms and euphemisms not available in English translations. For example, feet is a euphemism for male genitalia, and then she let our young minds run through the list of people who wash Jesus’ feet, and whose feet he washes, and on and on. Now, 25 years later she had totally forgotten saying that, but she laughed and said, I guess the point is, who is the authority?

She was a devout Catholic, and felt the church could be changed from within. She and her fellow Catholics did vigils in front of buildings where executions were occurring, lined up near nuclear plants, and fed the poor. She told me you couldn’t donate more than $500 to the Catholic Worker she belonged to, otherwise you had money that was likely made from exploiting others and they wouldn’t want it.

I reminded her that she took me to the University Faculty Club for dinner. That she put down the Diet Coke can that was always in her hand just to order another one the moment we arrived, and there in my Doc Martens and piercings, I listened to her whisper gossips of other department faculty. She told me she never ate there and thought it perfect to invite me so we could delight ourselves as two outsiders irreverently feasting ourselves in the ivory tower.

In the Midwest, I slept in her home of books, books lining every possible wall, from floor to ceiling. The guest bed was directly below rows upon rows of early editions Virginia Woolf novels and essays. Along other shelves were books she had written for young people, she said her favorite was about a talking bear and another about a teenage girl discovering life is not going to work out the way she thought. And it still breaks my heart to remember every little scribble of a bird drawing or postcard I sent her over the 25 years, framed and perched on her shelves. One sparrow sketch sat next to a humbly embroidered fabric that read: An immaculate home is a sign of a mis-spent life.

There is a trick that birders sometimes use to coax a bird out into the open, one that should be used prudently because of the stress it can cause. Afterall, the rare ones are usually lost. A birder uses their phone to play a digital recording of the bird species’ song which can trigger a territorial response, or the species’ call which can trigger a search for a flock. On my phone I have a handful of voicemails of people who are no longer here, their voices as fresh as today, sometimes wishing me a happy birthday, one was reaching out to console me after a loss, one is from Alice asking me to call her back a little later when she returns home.

Performing Mourning, Summer Lee and JiaJing Liu. Photo by Eddie Wong. Hungry Ghost Festival, SF, 2023

There was no need to play a sound for the Swallow-Tailed Gull, as it slept out in the open for a row of 30 birders lined up admiring it. I had to go home after a few hours, my youngest son can only stare at a gull and listen to bird-talk for so long. Later a birder friend wrote me, describing with uncharacteristic melancholy the moment when the sun sunk right above the ocean and the gull gathered itself up into flight, disappearing out over the horizon. When I left Alice in the Midwest, she watched from the sidewalk as my car left her driveway. She yelled out, see you around, kid.

602.

O birds, I’ll sing to myself, you’ve carried
me along on this bloody voyage,
carry me now into that cloud
into the marvel of this final night.

James Harrison (1990) – The Theory and Practice of Rivers and New Poems

“The grammars of creation are, in the final analysis, those of the erotic, of shaping intellect and psyche in a condition of Eros (the Logos, in the arms of love…).” George Steiner

15 Sunday Jul 2012

Posted by summermlee in Aesthetic philosophy, Art, Nature, philosophy, poetry

≈ 2 Comments

Tags

Anne Sexton, art, Clement Greenberg, creation, creativity, George Steiner, poetry, Professor Alice Bach, Tarkovsky, words

This entry wrote itself this morning on my jog, in the valley tucked away from the ocean shore. There in the chapparal valley are my kindred birds, families of quail fused together. One adult male is always vigilantly poised atop a signpost or garbage can, alertly standing guard over the small herd of fuzzy fledglings and their preoccupied surrogates pecking in the dry grass. I always regret that I must pass through them, causing them to scatter like field mice into the brambles that line the creek. The brambles where I know lurks a chubby, yet insatiated bobcat.

Despite being worn, I chose to heave myself up from the valley floor, along the switchbacks that ascend the side of a sun-lit mountain. Along the way, as predictable, I become anxious of whether I am able to reach the summit, that it is always longer and farther than I remembered. I try to recall that if I just attend to what is going on around me, go inward into my thoughts, even the burning in my legs, I will be less aware of the draining heaviness of the future tense.

Such is using any medium to create. A self-consciousness of one’s tools can turn them into the bars of a prison. We have developed bars around these lights of vulnerable creativity, sometimes so ornamental that others approve of them so much as to make us invest more and more in them. Yet the bars restrict and the air is stagnant therein, allowing only precarious involvement on the thin breath of things.

They amount to a gilded cage, polished to a mirror surface enclosing the songbird. This is the self-image of Narcissus, the trap of self-congealing. Even if it might provide both protection and adoration from the Crowd, the illusion of a subsistent self does not allow ephemeral song to take wing.

(Scene of the Bellmaker, from the film, Andrei Rublev, by Tarkovsky)

I sensed a predictable relief when I reached the top of the summit this morning, because yet again, I got to where I didn’t think I could go, and even more, I was yet surprised by the expansive view of the valley floor below extending to the sea. It occurred to me that there are summits that are exponentially harder to reach than my little hill of this blog, arriving upon its first birthday. How I curb my vulnerabilities and borrow from convention throughout is damning. And the more arduous and improbable to overcome this, the more solitary it might be to reach it — and the less likely anyone else can confirm it. Even the parasitic and invulnerable art critic Clement Greenberg said, “All profoundly original work looks ugly at first.” I have not the courage for this freedom to be ugly, nor the freedom to not be anything at all.

But it stands that I am grateful for my tribe of friends who stand guard over this endeavor, as it works its way through its awkwardness and conventional shortcomings.

I am profoundly in the arms of love.

(This poem was sent from Alice Bach, the first ever to stand guard over my writing)

Words, by Anne Sexton

Be careful of words, even the miraculous ones.

For the miraculous we do our best,

sometimes they swarm like insects

and leave not a sting but a kiss.

They can be as good as fingers.

They can be as trusty as the rock

you stick your bottom on.

But they can be both daisies and bruises.

Yet I am in love with words.

They are doves falling out of the ceiling.

They are six holy oranges sitting in my lap.

They are the trees, the legs of summer,

and the sun, its passionate face.

Yet often they fail me.

I have so much I want to say,

so many stories, images, proverbs, etc.

But the words aren’t good enough,

the wrong ones kiss me.

Sometimes I fly like an eagle

but with the wings of a wren.

But I try to take care

and be gentle to them.

Words and eggs must be handled with care.

Once broken they are impossible

things to repair.

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