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Unwanted Advice: Reflections from a Self-Appointed Life Counselor

~ Caminante, no hay camino. Se hace camino al andar. Wayfarer, there is no way. You make a way as you go. (Antonio Machado)

Unwanted Advice: Reflections from a Self-Appointed Life Counselor

Tag Archives: words

“The Infinite Cage” — Joron

07 Tuesday Feb 2023

Posted by summermlee in Aesthetic philosophy, Art, Birds, Nature, philosophy, poetry

≈ 5 Comments

Tags

art, bird watching, birds, birdwatching, death, Home, memoir, migration, nature, painting, philosophy, Photography, poetry, Summer Lee, Summer Mei Ling Lee, words, writing

(With a few words in a note to me, she tore open the blank space here, and asked me to write again. Her gesture brought tears, in both senses of the word, and so it starts with tears — because it involves breaking the icy river, the cowardly reluctance to thaw it, to think it isn’t always flowing underneath.)

(Santa Croce ceiling bird.)

Beauty, Nathan reminds me.

What of my small experiences wants words to land them here. What birds would touch down from untouchable sky in order for me to see them, count them, photograph them, devote myself to them.

Because now these birds seem wild and unbelonging like the work that sits months waiting for me in my studio.

Last week we made a strange reunion of local birders on the back porch of a stranger’s house, to peer over a fence into the neighbor’s yard to glimpse a young Summer Tanager eating desperately at the feeder. He was undoubtedly wayward and far from home territory because of the onslaught of coastal storms. We were welcomed into that space and to each other, with only a quick mention of the mass shooting that had happened the day before shattering our small town. Then, the bird arrived, and as Eva describes, we wandered into the center of the circle of wonder. Summer Tanager was the greeting.

How often I delude myself to be disconnected from it all. And as Eva exclaims more loudly, impatiently, because the most obvious is the most difficult — we are always in the circle of wonder, never outside it — and we can indeed find center. Never by our own narrow volition, but by wandering.

(Red Phalarope by Summer Lee, a pelagic bird brought inland by storms, 2023.)

But I want words for those birds, those moments — not the ones where I tenderly helped unclench his fingers from the hospital bed, or the impatient coldness I can turn towards my own children, or how exhilaration smothered grief when driving away from her hopeless apartment for the last time. Not for the woman who rocked her body in prayer before every beautiful dinner she served and told me, this is not the life I expected for myself. And even still, not the gift of my children’s joy that persists despite me, or how I can burrow into the surrendered miracle of my new, unexpected lover.

Somehow there should rather be words for the Virginia Rail that crept out from its perennial hiding place to the spot below the window of my car. And how we caught eyes, one being welcoming another.

The people in that odd backyard meeting, with undoubtedly their own sufferings and joys, would understand. The Virginia Rail is basically all we talk about for hours and hours, even though long ago and long gone — until the next improbable Beauty arrives. And of course, those far away but close to my heart who send me words fluttering down from the sky, out of nowhere perfectly on time — thank god they understand too.

(The Virginia Rail. January 2023.)

In these birds, these words, these friends, I know is the paradox of faith, and how it takes care of us by destroying us.

I will taper down this roughly thawed cascade of words to say that 77 unique species of birds have visited my yard in the 20 or so years I have lived at this home. And I wonder about what I missed in the times I drifted away. Once a group of us chased a vagrant Dusky Warbler across a field of dried fennel, a man’s long camera lens thunking against my head to capture the bird, preventing me from photographing it well. The bird flew off confused, and we stayed to celebrate, for me the 560th species. A bewildered boy next to me scanned over the expanse of chaparral and said, just think how many dusky warblers might be out there and we would never know.

(The Dusky Warbler)

So maybe in my silence, where words haven’t been, is a backwards way to acknowledge some secrets. Not about the “yoke of perishing” we come into being with. More like finally seeing the Prairie Warbler next to the local sewage plant. That time, it took minutes to see his yellow light darting in the scrub, when the year before I spent weeks, thousands of miles away, to no avail. How some things will always escape, even as I am coming closer and closer, and reveal secrets of me that are unknown to myself even. Dufourmantelle cautions, mystery is not an enigma to be solved but prayed to, and truth is only a veil.

“Endure, o mystery of being, so that I might pull threads from your veil.” – Wislawa Szymborska

“The luminous ruins.” – T. Nishiuchi

31 Saturday Aug 2013

Posted by summermlee in Art, Birds, Nature, philosophy

≈ 3 Comments

Tags

art, Joos Ven Cleve, language, Photography, Summer Lee, the birds of San Pedro Valley, tragedy, words

“These words feel as if two waves of water meet each other, his and now mine, and collapse — but they sometime even obliterate, they are definitely torrid and some of mine are too fucking little, too fucking late. True to the man and what he taught, though, they are luminous even as they are tragic. And so unbelievably, painfully, precious now. Because I just thought there would be more. When really there are none.”

The whole writing is here:

http://thebirdsofsanpedrovalley.wordpress.com/2013/08/31/the-luminous-ruins-t-nishiuchi/

My photograph of Lucretia's veil, from Joos Van Cleve's painting, 1525

(My photograph of Lucretia’s veil, from Joos Van Cleve’s painting, 1525.)

“The grammars of creation are, in the final analysis, those of the erotic, of shaping intellect and psyche in a condition of Eros (the Logos, in the arms of love…).” George Steiner

15 Sunday Jul 2012

Posted by summermlee in Aesthetic philosophy, Art, Nature, philosophy, poetry

≈ 2 Comments

Tags

Anne Sexton, art, Clement Greenberg, creation, creativity, George Steiner, poetry, Professor Alice Bach, Tarkovsky, words

This entry wrote itself this morning on my jog, in the valley tucked away from the ocean shore. There in the chapparal valley are my kindred birds, families of quail fused together. One adult male is always vigilantly poised atop a signpost or garbage can, alertly standing guard over the small herd of fuzzy fledglings and their preoccupied surrogates pecking in the dry grass. I always regret that I must pass through them, causing them to scatter like field mice into the brambles that line the creek. The brambles where I know lurks a chubby, yet insatiated bobcat.

Despite being worn, I chose to heave myself up from the valley floor, along the switchbacks that ascend the side of a sun-lit mountain. Along the way, as predictable, I become anxious of whether I am able to reach the summit, that it is always longer and farther than I remembered. I try to recall that if I just attend to what is going on around me, go inward into my thoughts, even the burning in my legs, I will be less aware of the draining heaviness of the future tense.

Such is using any medium to create. A self-consciousness of one’s tools can turn them into the bars of a prison. We have developed bars around these lights of vulnerable creativity, sometimes so ornamental that others approve of them so much as to make us invest more and more in them. Yet the bars restrict and the air is stagnant therein, allowing only precarious involvement on the thin breath of things.

They amount to a gilded cage, polished to a mirror surface enclosing the songbird. This is the self-image of Narcissus, the trap of self-congealing. Even if it might provide both protection and adoration from the Crowd, the illusion of a subsistent self does not allow ephemeral song to take wing.

(Scene of the Bellmaker, from the film, Andrei Rublev, by Tarkovsky)

I sensed a predictable relief when I reached the top of the summit this morning, because yet again, I got to where I didn’t think I could go, and even more, I was yet surprised by the expansive view of the valley floor below extending to the sea. It occurred to me that there are summits that are exponentially harder to reach than my little hill of this blog, arriving upon its first birthday. How I curb my vulnerabilities and borrow from convention throughout is damning. And the more arduous and improbable to overcome this, the more solitary it might be to reach it — and the less likely anyone else can confirm it. Even the parasitic and invulnerable art critic Clement Greenberg said, “All profoundly original work looks ugly at first.” I have not the courage for this freedom to be ugly, nor the freedom to not be anything at all.

But it stands that I am grateful for my tribe of friends who stand guard over this endeavor, as it works its way through its awkwardness and conventional shortcomings.

I am profoundly in the arms of love.

(This poem was sent from Alice Bach, the first ever to stand guard over my writing)

Words, by Anne Sexton

Be careful of words, even the miraculous ones.

For the miraculous we do our best,

sometimes they swarm like insects

and leave not a sting but a kiss.

They can be as good as fingers.

They can be as trusty as the rock

you stick your bottom on.

But they can be both daisies and bruises.

Yet I am in love with words.

They are doves falling out of the ceiling.

They are six holy oranges sitting in my lap.

They are the trees, the legs of summer,

and the sun, its passionate face.

Yet often they fail me.

I have so much I want to say,

so many stories, images, proverbs, etc.

But the words aren’t good enough,

the wrong ones kiss me.

Sometimes I fly like an eagle

but with the wings of a wren.

But I try to take care

and be gentle to them.

Words and eggs must be handled with care.

Once broken they are impossible

things to repair.

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